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Selected Poems (Everyman's Library Classics), by William Wordsworth
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It is hard to imagine how radically the tender songs and simple stories in this collection changed the history of English poetry, but Wordsworth exerted a profound influence on the whole of nineteeth-century culture in Britain and America. His literary revolution was founded on three principles: introspection, nature worship and the cult of ordinary experience. These three he blended together in a verse which is simple in manner but profound and deeply moving in content. In an age of revolutionary upheaval, industrial stress and religious doubt, Wordsworth rediscovered spiritual value in the individual's encounter with nature. In our own age of ecological disaster and moral uncertainty, his achievement speaks to us more urgently than ever. From the poet's extensive output, this comprehensive selection includes everything non-specialist readers are likely to need.
- Sales Rank: #2452199 in Books
- Published on: 2000-09-28
- Format: International Edition
- Original language: English
- Number of items: 1
- Dimensions: 8.27" h x 1.34" w x 5.43" l, 1.43 pounds
- Binding: Hardcover
- 560 pages
About the Author
William Wordsworth was born in 1770 at Cockermouth in the Lake District and educated at Cambridge. As a young man he was fired with enthusiasm for the French Revolution but the year he spent in France after graduating left him disillusioned with radical politics. He turned more seriously to literature and, in collaboration with his friend Coleridge, produced Lyrical Ballads (1798). His return to the Lake District in 1799 marked the beginning of his most productive period as a poet, during which he wrote his most famous long poem, The Prelude (1805). Stephen Gill a Professor of English Literature at Oxford University and a Fellow of Lincoln College, Oxford. He holds degrees from Oxford and Edinburgh Universities and is a long-serving member of the Wordsworth Trust. He has written William Wordsworth: A Life (1989) and Wordsworth and the Victorians (1998).
Most helpful customer reviews
4 of 4 people found the following review helpful.
Serviceable edition
By York Brun Luethje
When writing a review for a classic I am never quite sure what is expected. Do people really want my opinion of Wordsworth as a poet in the same way they'd ask my opinion of the latest Harry Potter movie? There are countless critics much better qualified to pass that kind of judgement so I'll keep mainly to the specifics of this edition.
As all the titles in the Penguin Classics series this one is very serviceable. It contains a generous selection of Wordsworth's poems as well as a goodish part of the 'Prelude'. 'The Excursion' on the other hand is not included at all, because Stephen Gill, the editor, didn't think its style lent itself to excerpts as in the 'Prelude'.
The introduction is fine but a bit on the short side in my opinion. My main criticism is a general one directed against the workmanship involved in the production of all the 'Penguin Classics' titles. For $18 they feel quite cheaply made, the binding doesn't hold up well and the paper looks new the ugly yellow some paperbacks from the 1960 have acquired over time. Other publisher's manage to present the content more respectfully so why can't Penguin? Wordsworth definitely deserves it.
The poems have a serene quality to them with a nice flow and none of the overwroughtness one finds in certain other romantic poets. That being said in larger doses I find the effect is a bit escapist as I distrust art that is too soothing.
10 of 14 people found the following review helpful.
Ah, Wordsworth!
By Mickey Callaghan
As any fan of poetry will admit, Wordsworth is perhaps the central figure of poetry of the last two hundred years-- only Whitman contends with him in eminence. I love both (though I am partial to Keats!), and the fame of each is very just and in proportion with their merits.
Wordsworth is a musical poet, in that his verse flows with a beauty of language that has no rival I have yet encountered save perhaps Yeats or Shakespeare. Even the latter two, though better poets than Wordsworth overall in my opinion, fall slightly short of his music. I find many of his poems very easy to commit to memory, because of this quality:
She dwelt among th'untrodden ways
Beside the springs of Dove.
A maid whom there were none the praise
And very few to love.
A violet by a mossy stone
Half hidden from the eye--
Fair, as a star when only one
Is shining in the sky.
She lived unknown and few could know
When Lucy ceased to be;
But she is in her grave, and Oh!
The difference to me.
That is from memory, and I memorized it almost effortlessly; I suspect most can do the same because this poem (one of Wordsworth's "Lucy Poems", some of the best in all literature!) has a certain rhythm and flow to it that makes it as easily committed to memory as song lyrics.
There is in Wordsworth's poems a wonderful depth of thought, as well; common themes include lost youth, nature, and the poet's own mind (Wordsworth was notoriously egotistical). I find him a sadder poet than others do-- many read him as almost superficial or happy and joyous in nature, but I think this is too simplistic, as his poems resonate with a certain loss and regretful inwardness that really reverberates in my mind.
He is commonly considered the greatest of the Romantics, a consensus with which I disagree. I prefer Keats and Blake (Coleridge might have been as good, had he written more!), but Wordsworth has been more of an influence on later poets than either, and I certainly do not shy from calling him among the greatest.
0 of 0 people found the following review helpful.
Five Stars
By Trust fund squanderer
5 stars
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